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One of the pitfalls of editing a literary journal is that out of the poets and writers you meet, 99 percent of them spend 99 percent of their time whining about their love lives. Eventually, the sensitivities are blunted until you reach the point where you pull the covers over your head at the slightest hint of another human being's pain. Then you encounter a writer like Paul Polansky. And God help you if you ignore him.
Mr. Polansky's stock-in-trade is genocide-specifically, the fight against the systematic efforts to exterminate the Roma (also known as Gypsies) in Eastern Europe. In his poetry collections Living Through It Twice, The River Killed My Brother, and Not a Refugee, Mr. Polansky carefully delineates the atrocities of Czechs, Slovaks, Albanians, and others (even NATO and the UN are not innocent here) against the Roma. "Art" is tossed to the winds -- don't look for the little niceties such as form, meter, or rhyme in these poems. What remains is the raw power of the darker side of the human psyche -- fear, hatred, grief, loss, violence, torture, and an ever-dimming hope of compassion and rescue. But perhaps that was the point of "Art" in the first place.
Mr. Polansky is a native of Mason City, Iowa. In his undergraduate days, Mr. Polansky opted to spend his junior year at Madrid University, which became the beginning of a lifetime odyssey through Europe, an odyssey which led him to become one of the most sought-after writer-lecturers concerning Eastern European human rights issues for our time. His other books include The Storm, a novel; Stray Dog (Poems of a Fighting Freak), a paeon to, or rather against, the violence in boxing; and Black Silence and The Gypsies of Kosovo (non-fiction).
Paul Polansky's writings have a way of waking you up at 3 a.m. in a cold sweat. They can also reawaken the most dormant social conscience. So don't say I didn't warn you.